![]() ![]() How would you describe his growth from when you first started working with him to who he is present-day? It makes sense, but I like it better than Compton. It's hard thing to hold onto for a long time, you know? It's dope. He just had this thing where he was like, "I'm just fucking blessed. I'm rich as fuck, but I'm having a great time still. ![]() We were listening to the shit and he was dancing around the studio with his wife and shit. He was like, "You fuck with it or what?! Dig Deeper When I came to the studio, he played me Detox. Dre, who has been able to tap in with younger artists like an Anderson or Kendrick Lamar, two and half decades later, what impresses you most about his longevity? He's still excited. I bring up Dre because you worked with Anderson. It was nice to have a considerable amount of time home because that stuff is going to be a flood. I enjoy playing for people, but I do enjoy creating things. I much rather do that than be on the road, to be honest. I like when my mind is being stimulated and challenged and I'm forced to be creative. It is, while trying to make a movie and score movies. How did you balance that with your own creativity as an artist? Because that's a tall order. During your five-year hiatus, you were developing Thundercat and Kamasi Washington. Even if it turns into some shit that sounds hella dark, you know, it still comes out with some sort of energy. Well, you just feel it in your heart, right? When you got it, it just never leaves. ![]()
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